Wednesday 30 May 2012

Festering batter; ballet; wardrobe assembly

My 'permanent' office mate Victoria has recently returned from nine months off on maternity leave, with the consequence that Young Claire has been shifted across the corridor to occupy Emily's desk while Emily is on maternity leave, and to share an office with Galina, who is about to go on maternity leave. Phew.

Victoria presented me about a week ago with a share of a 'Herman the German Friendship Cake', part of a whole 'chain cake' concept with which I was hitherto unfamiliar. Uncertain which of my friends would actually welcome being presented with a plastic tub of raw cake batter, so I may end up cooking the whole thing and then palming off slices onto assorted loved ones, which may work better. Luckily I am about to visit my parents for the weekend so may be able to slip a wodge into their chest freezer under the frozen redcurrants. The idea of the cake is that you leave it to bubble/fester on your kitchen worktop for nine days, adding small amounts of flour and milk and stirring regularly, until finally adding various other ingredients and baking it on day 10. Am slightly sceptical but will give it a go. Victoria ended up ruining hers by mistakenly adding two cups of oil instead of the stated two-thirds of a cup and rendering Herman into something resembling an oil slick.

Ruth and I kicked off a long weekend last week by going to the Newbury Corn Exchange to see the 1966 film of Kenneth MacMillan's production of Prokofiev's 'Romeo and Juliet', with Margot Fonteyn and Rudolf Nureyev. It's a ropey old film quality-wise but certainly worth seeing, though almost certainly worked better as a stage show than a film, if only because Fonteyn's age is unfortunately apparent in film close-ups (she was 46 dancing the teenage Juliet - still a pretty graceful mover though). Was struck by the elevation of the chap playing Benvolio (better than Nureyev's) and only realised at the closing credits that it was Anthony Dowell. The film was shown as part of the Newbury Spring Festival and the venue was awash with identikit blonde posh women in late middle age.

As I arrived in Newbury a bit early I had a brief wander around the new Parkway shopping development. Seems a bit OTT for Newbury but perhaps it's come on. The Kennet Centre, now named Kennet Shopping, has duly become even more depressing than I remember it and seems to have lost the café that originally formed a central feature. No doubt the new development will be criticised for taking business away from it, but in fact I remember it always being fairly low-brow, much like Reading's Broad Street Mall - in fact the two have a very similar range of shops (I still don't get the TK Maxx thing).

We spent Thursday waiting in at the house for delivery of the IKEA PAX wardrobe that we recently ordered - no great hardship given the spectacularly sunny weather that encouraged much lolling on the patio. After dithering for some time over which size to get, we seem to have ended up getting an enormous 230cm high by 250cm wide monster which risks rendering bedroom 2 into little more than a dressing room, but it should at least enable us to clear clothes off temporary rails. Am impressed with our progress so far: by the end of Sunday the frame was up and Ruth had put together one of the two sliding doors, all without calling a bloke.

Met at Claire's house in the evening for Book Group and a discussion of Rosamund Lupton's Sister, which is a diverting enough read but suffers from a ludicrously far-fetched plotline involving rogue gene therapy. As ever though, we ate and drank quite a lot to compensate.

Ruth and Helen's hairdresser Karin appears to have soared to new heights this week, not only by cancelling their hair appointment on Sunday (not unusual) but then by apparently turning up to the rearranged appointment yesterday evening having forgotten her scissors. So that went well then.

On Tuesday lunchtime Liz and I went to hear 'Open Voices', an alternative vocal group at the OU, do their first concert. Alternative in the sense of being alternative to the main OU Choir, who have auditions and sing requiems and stuff. 'Open Voices' apparently have no auditions, don't require you to read music and encourage everyone to go along and discover their inner singer. I can read music but have never considered myself much of a singer, but am considering going along as I fancy doing something musical. Am mightily tickled to learn from Ray that a female acquaintance at the marina is trying to persuade him to take up the dulcimer - already have amusing pictures forming in my head.